Concert review/ Remembering DV
BY NARENDRA KUSNUR
Aditya Modak/ Remembering DV
Genre: Hindustani classical
Details: NMACC Cube, May 9
Rating: ****
It was a busy Saturday in Mumbai, with Carnatic maestro T.M..Krishna performing at the J.W. Marriott and blues-rock guitarist Warren Mendonsa's Blackstratblues scheduled at G5A. I opted for young Gwalior gharana vocalist Aditya Modak's show at the NMACC Cube theatre simply for nostalgic reasons.
Aditya, who is also known for his lead role in Chaitanya Tamhane's Marathi film The Disciple, was launching the Remembering DV shows in memory of the legendary Dattatreya Vishnu Paluskar. As such, his repertoire would take listeners back in time, and also provide some rare gems.
The son of icon Pt Vishnu Digambar Paluskar, 'DV' passed away in 1955 from an illness when he was only 34. He had numerous recordings in khayal and bhajans, besides being known for 'Aaj Gaawat Man Mero', his duet with Ustad Amir Khan in the 1952 film Baiju Bawra, which had music by Naushad.
Aditya's selection focused on the shorter khayal pieces, and had only one bhajan in the marvellous 'Janakinath Sahaay'. The set lasted 90 minutes, as per the venue's mandate, and one wished he had sung more devotional tunes like 'Thumak Chalat Ramchandra' and 'Raghupati Raghava Rajaram', which have a following of their own.
The impressive thing was the number of compositions presented given the time limit. Aditya was accompanied on harmonium by Ajay Joglekar, violin by Shruti Bhave and tabla by Bharat Kamath, all of who had some remarkable individual portions. Neerja Apte did the narration in Hindi, providing a life sketch and mentioning anecdotes about how Paluskar once held the massive Red Fort audience in thrall even though he came after playback star Mohammed Rafi, and how classical doyenne Kesarbai Kerkar once praised his singing after a performance.
The recital began with raag Shree, with the cheez 'Hari ke Charan Kamal', followed by 'Jab hi sab nirpat' in Bhoop, the senior Paluskar's composition based on Sita Swayamvar. The raag Gaud Malhar bandish 'Kaahe Ho Hum So Preetama' and 'Paapi Dagurwa Bulaaye Re'.
The Bahar piece 'Kaliyan Sang Karta Rangraliyan' and Tilak Kamod composition 'Koyaliya Bole' were presented immaculately and Miyan Ki Malhar came before the much-awaited 'Jankinath Sahaay'. On request. Aditya concluded with Bhairavi though it was past scheduled time, but he didn't sing a Paluskar composition here.
While Aditya showed remarkable control over building the raags and delivery of taans, what was impressive was the balance between vocal delivery and the commentary between songs. Even while Neerja was telling interesting stories, Shruti played the violin at a low volume to provide a soothing background.
Aditya says he plans more shows as part of the Remembering DV series. One looks forward to them, hoping they last at least two hours. It'll be great if more youngsters are drawn to the mastery of Paluskar.

He is a very pleasant singer.
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